Alexander Kelly + Amaya González Reyes + Ana Brandão + Anabela Almeida + Bernardo de Almeida + Bruno Huca + Bruno Simão + Carla Bolito + Carla Freire + CCB + Cláudia Gaiolas + Chris Thorpe + Cine-Teatro Joaquim d’Almeida + Comuna + Crista Alfaiate + Culturgest + Cypress Cook + Daniel Worm + DGArtes + Eduardo Abdála + Emília Ferreira + Eva Nunes + Festival de Almada + Flávia Gusmão + Francisco Frazão + Gracinda Carvalho + Guilhermina Rocha Gomes + Gulbenkian + Hull Truck Theatre + Isaque Pinheiro + James Harrison + Jerónimo Branco + Joana Bárcia + João d’Almeida + John Romão + Jorge Andrade + José Capela + José Carlos Duarte + Leeds Met Gallery & Studio Theatre + Letícia Gonçalves + Luís Teixeira + Manuel Moreira + Manuel Poças + Márcia Breia + Marco Paiva + Maria Matos Teatro Municipal + Mário Silva + Miguel Damião + Miguel Fragata + Miguel Rocha + Mónica Garnel + Museu Nogueira da Silva + O Espaço do Tempo + Paula Diogo + Paulo Monteiro + Pedro Gil + PT.11 Plataforma Portuguesa de Artes Performativas + Rachael Walton + Rita Lopes Alves + Rita Seguro + Rui Lima + Sara Belo + Sérgio Martins + Serralves + Sílvia Filipe + Tânia Alves + Third Angel + Tiago Cadete + Tiago Pinhal Costa + Tiago Rafael + Transform Festival + Valter Reis + Vítor Oliveira + Wagner Borges + West Yorkshire Playhouse + ZDB = 2011

fotografia: José Carlos Duarte

3D no Negócio(ZDB) de 26 a 30 de Janeiro pelas 21.30

 

Um grupo de pessoas reúne-se. Chegam ao local com um pouco de antecedência, sozinhas ou em pequenos grupos. Esperam um pouco. Algumas fumam um cigarro. Algumas lêem na expectativa de ficarem mais bem preparadas para o que vai acontecer. Algumas regozijam-se por se encontrarem, mesmo que a situação não seja propícia a grandes convívios. Algumas trocam palavras de circunstância, por cordialidade. Quando chega a hora, e se encontram reunidas as condições para que tal aconteça, entram. As portas fecham-se e as pessoas ficam lá dentro, protegidas do exterior. Procura-se que, nesta circunstância, se sintam confortáveis. Sentam-se. Ocupam cadeiras dispostas em fila, todas voltadas para o mesmo lado – as de trás numa posição ligeiramente mais alta do que as da frente.
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http://en.wikipedia.org/wiki/Realism

• Realism (arts), the depiction of subjects as they appear in everyday life
  
• Realism (theatre), a movement towards greater fidelity to real life
  
• Realism (visual arts), a style of painting that depicts what the eye can see
  
• American realism, a turn of the 20th century idea in arts
  
• Classical Realism, an artistic movement in late 20th Century that valued beauty and artistic skill
  
• Hyperrealism (painting), a genre of painting that resembles high resolution photography
  
• Kitchen sink realism, an English cultural movement in the 1950s and 1960s that concentrated on contemporary social realism
  
• Literary realism, a 19th century literary movement
  
• Magic realism, an artistic genre in which magical elements appear in an otherwise realistic setting
  
• Nazi heroic realism or the art of the third Reich, a style of propaganda art associated with Nazi Germany
  
• Neorealism, a movement emphasising realism in cinema and literature
  
• New Realism, an artistic movement founded in 1960 by Pierre Restany and Yves Klein
  
• Poetic realism, a film movement in France in the 1930s that used heightened aestheticism
  
• Photorealism, a genre of painting that resembles photography
  
• Pseudorealism, a genre of art initiated by Indian artist Devajyoti Ray where reality is approached via abstraction.
  
• Pseudorealism, a term coined by American film critics, used to describe films in which digital unreal images are created and amalgamated with regular scenes thereby creating an illusion that is difficult to distinguish from reality.
  
• Romantic realism, an aesthetic art term popularized by writer/philosopher Ayn Rand
  
• Social realism, an artistic movement which depicts working class activities
  
• Socialist realism, a style of propaganda art associated with Communism

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direcção Jorge Andrade . com Anabela Almeida, Bernardo de Almeida, Bruno Huca, Jorge Andrade, Rita Seguro, Vítor Oliveira, Wagner Borges e, também, Emília Ferreira, Gracinda e Tiago Rafael . cenografia e figurinos José Capela . fotografias de cena José Carlos Duarte . produção Manuel Poças . co-produção mala voadora e O Espaço do Tempo . agradecimentos Ilídio Silva, Júlio Esteves e Liz Vahia

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espectáculo para maiores de 18 anos.
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A mala voadora é uma estrutura financiada pelo Ministério da Cultura – Direcção Geral das Artes. A mala voadora é uma estrutura associada da Associação Zé dos Bois.

trabalho #3

…………………………………………………………. ………..Pirandello

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(…) despite the extensive literature on the readymade, there has been little substantive writing on what this transformation means at the level of artistic labour and the cultural form of art. Too often dicussion of the readymade languishes in the realm of the stylistic analysis, the philosofical discussion of art and anti-art, or, more recently, the Institutional Theory of Art (…). This is because the analysis of artistic value in this discourses is rarely broached in relation to a discussion of actual labour in the modernist work of art.

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(…) the readymade not only questions what constitutes the labour of the artist, but brings the labour of others – ideally at least – into view. Or, to be more precise, non-alienated and alienated labour are brought into view simultaneously.

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John Roberts

trabalho #2

trabalho

• Realism (arts), the depiction of subjects as they appear in everyday life
• Realism (theatre), a movement towards greater fidelity to real life
• Realism (visual arts), a style of painting that depicts what the eye can see
• American realism, a turn of the 20th century idea in arts
• Classical Realism, an artistic movement in late 20th Century that valued beauty and artistic skill
• Hyperrealism (painting), a genre of painting that resembles high resolution photography
• Kitchen sink realism, an English cultural movement in the 1950s and 1960s that concentrated on contemporary social realism
• Literary realism, a 19th century literary movement
• Magic realism, an artistic genre in which magical elements appear in an otherwise realistic setting
• Nazi heroic realism or the art of the third Reich, a style of propaganda art associated with Nazi Germany
• Neorealism, a movement emphasising realism in cinema and literature
• New Realism, an artistic movement founded in 1960 by Pierre Restany and Yves Klein
• Poetic realism, a film movement in France in the 1930s that used heightened aestheticism
• Photorealism, a genre of painting that resembles photography
• Pseudorealism, a genre of art initiated by Indian artist Devajyoti Ray where reality is approached via abstraction.
• Pseudorealism, a term coined by American film critics, used to describe films in which digital unreal images are created and amalgamated with regular scenes thereby creating an illusion that is difficult to distinguish from reality.
• Romantic realism, an aesthetic art term popularized by writer/philosopher Ayn Rand
• Social realism, an artistic movement which depicts working class activities
• Socialist realism, a style of propaganda art associated with Communism

la fin du spectacle d’avant

“En général, on commence les spectacles par la fin du spectacle d’avant; l’année dernière je jouais dans d’Après Nature, un spectacle qui se terminait comme ça, j’étais en cosmonaute. On était d’ailleurs plusieurs à être en cosmonaute. Là je vais jouer L’Effet de Serge, un spectacle autour de la vie de Serge et qui se passe chez lui.” – Philippe Quesne

cocktail party

DI-GUE-DING DING

withdrawing to the drawing room

2010

Alexander Kelly . Amaya González Reyes . Anabela Almeida . Bruno Huca . Carloto Cotta . Chris Thorpe . Citemor . Clive Egginton . Craig Fleming . Eva Nunes . Flávia Gusmão . Forest Fringe (Edimburgo) . Forest Fringe (Glasgow) . Forge Festival (Sheffield) . Hugo Bettencourt . James Harrison . João d’Almeida . Jorge Andrade . José Capela . José Carlos Duarte . Lauren Stanley . Manuel Poças . Marco Paiva . Maria Matos Teatro Municipal . Miguel Damião . Miguel Rocha . O Espaço do Tempo . Pazz Festival (Oldenburg) . Pedro Gil . Rachael Walton . Rui Lima . Sérgio Martins . Sheffield Theatres . Susana Paiva . Tânia Alves . Teatro Municipal da Guarda . Teatro Viriato . Temps d’Images . The Crucible (Sheffield) . Third Angel . worldmapper.org . ZDB

Cindy Sherman, 1975

Um grupo de pessoas reúne-se. Chegam ao local com um pouco de antecedência, sozinhas ou em pequenos grupos. Esperam um pouco. Algumas fumam um cigarro. Algumas lêem na expectativa de ficarem mais bem preparadas para o que vai acontecer. Algumas regozijam-se por se encontrarem, mesmo que a situação não seja propícia a grandes convívios. Algumas trocam palavras de circunstância, por cordialidade. Quando chega a hora, e se encontram reunidas as condições para que tal aconteça, entram. As portas fecham-se e as pessoas ficam lá dentro, protegidas do exterior. Procura-se que, nesta circunstância, se sintam confortáveis. Sentam-se. Ocupam cadeiras dispostas em fila, todas voltadas para o mesmo lado – as de trás numa posição ligeiramente mais alta do que as da frente.

Perec or not Perec

Georges Perec - Un homme qui dort

projecto de execução, 2005

À direita, Anabela Almeida, Cláudia Gaiolas e Teresa Ferreira projectam a imagem do tampo de uma mesa sobre o qual cozinham (fotografia de Rodrigo Peixoto).

Here he stood. Here he sat. Here he knelt. Here he lay. Here he moved, to and fro, from the door to the window, from the window to the door; from the window to the door, from the door to the window; from the fire to the bed, from the bed to the fire; from the bed to the fire, from the fire to the bed; from the door to the fire, from the fire to the door; from the fire to the door, from the door to the fire; from the window to the bed, from the bed to the window; from the bed to the window, from the window to the bed; from the fire to the window, from the window to the fire; from the window to the fire, from the fire to the window; from the bed to the door, from the door to the bed; from the door to the bed, from the bed to the door; from the door to the window, from the window to the fire; from the fire to the window, from the window to the door; from the window to the door, from the door to the bed; from the bed to the door, from the door to the window; from the fire to the bed, from the bed to the window; from the window to the bed, from the bed to the fire; from the bed to the fire, from the fire to the door; from the door to the fire, from the fire to the bed; from the door to the window, from the window to the bed; from the bed to the window, from the window to the door; from the window to the door, from the door to the fire; from the fire to the door, from the door to the window; from the fire to the bed, from the bed to the door; from the door to the bed, from the bed to the fire; from the bed to the fire, from the fire to the window; from the window to the fire, from the fire to the bed; from the door to the fire, from the fire to the window; from the window to the fire, from the fire to the door; from the window to the bed, from the bed to the door; from the door to the bed, from the bed to the window; from the fire to the window, from the window to the bed; from the bed to the window, from the window to the fire; from the bed to the door, from the door to the fire; from the fire to the door, from the door to the bed. (Beckett)

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paisagem

em residência n'O Espaço do Tempo, com Amaya González Reyes

http://www.parra-romero.com/artistas/amayagonzalez.html